The UI from Vegas Pro 14 feels like a slightly more hip version of Media Composer. Next, let’s put it against Avid Media Composer. That’s more than two years, and it’s likely that the program might not be worth its original cost when it’s that old of a program, but if it still does what you need it to do, then it’s no issue. Premiere Pro CC is best aligned with Vegas Pro 14 Suite, so if you divide $800 by the more expensive number of $30 a month, you would need to use the program for almost 27 months before it would be a better buy than Premiere Pro. You can either pay $20 a month when paid for annually or $30 if month to month. Because the Creative Cloud is subscription based, you will need to do a bit of math to see how they compare cost wise. Lets first consider the gorilla in the room: Adobe Premiere Pro CC. However, there are many others video editors out there that are in the running when up against Vegas Pro 14.
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Vegas Pro 14 is for PC only so it should go without saying that Final Cut Pro X won’t be considered as a competitor.
With the inundation of drone footage out there, image stabilization is a must to make that great shot perfect. It offers some really usable features, including helping correct the distortion created by using CMOS sensors. Good thing proDAD Mercalli V4 is included because it does a great job. If Vegas Pro 14 did not come with some type of image stabilizer, it would be behind the times. Vegas Pro 14 does feature proDAD Mercalli V4 for image stabilization.
The NEWBLUEFX Looks is a strong tool and very usable. NEWBLUEFX seem to be everywhere right now and included in many other editors, but let’s not discount it just because they are more available now. We would hope that the next version will have these more deeply integrated as part of Vegas Pro. The overall theme in all of the marketed new features are that they are third party add-ons included to improve the overall competitiveness in the marketplace and keep Vegas Pro 14 relevant. We should note though, although the outcome isn’t anything revolutionary, the usability of the features and how well they work is at least noteworthy. This is not really cutting edge stuff here, but it’s very usable nonetheless. Things like hover scrub technology is really just a new hover scrub feature - hardly noteworthy. The first is if you take out the word technology from the new features, you get options that are and have been included in many other video editors.
There are a few observations we have made regarding the long list of new features. Last, there’s the Vegas Pro 14 Suite which also includes Boris FX BCC Match Move Unit, 3D Objects Unit, Titler Pro 3 and Key and Blend Unit. Next is the Vegas Pro 14 and higher introduce NEWBLUEFX looks and proDAD Mercalli V4 image stabilization. The first is Vegas Pro 14 Edit, Pro 14 and Pro 14 Suite with costs of $400, $600 and $800 respectively. There are three versions of Vegas Pro 14 available. Vegas Pro 14 introduces a long line of new features with its new hover scrub technology, smart upscaling technology, smart zooms, RED camera support and 40X video velocity. That would be a huge concern if Sony had just released a new version in the last year or so, but Vegas Pro 13 hit the market in April of 2014, so it’s likely version 14 was in development even prior to the sale to MAGIX, but that’s just speculation. We were curious what new things MAGIX would bring to the table so quickly after its acquisition from Sony. After months of speculation of what Sony was going to do with Vegas Pro, this announcement began the new life of Vegas Pro, and just three months after, we have the software’s newest iteration: Vegas Pro 14.
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